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For a while, it did attempt to - and though it had its problems, it was weirdly enchanting to be immersed in a cinematic portrayal of Nazis and fascism that wasn’t tinged by war, but rather the immaculate bureaucracy of totalitarianism in peacetime. The show picks up on some of these mental exercises - but being a show with a mandate to keep storytelling, it can’t quite resign itself to the same squander. The how, for Dick, was less power than fate - he was enamored of the cleromancy of the “I Ching,” and in addition to having his characters in “Man in the High Castle” utilize it, he used it himself to plot the novel, in a kind of extravagant commitment to the themes of his own story.
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It’s in its dreamlike vision that the show “Man in the High Castle” has anything in common with Dick’s story - in its details and grace notes, it is about the fungibility of culture, and how some values and aesthetics can become embalmed in hegemony, while others become curiosities to wonder at behind glass display cases. The plot of the first season was not terribly interesting, but that was beside the point the point was seeing Nazi America on the Eastern seaboard, while the Empire of the Sun shone over California. Dick’s alternate-history novel, was an oddly muted exercise in reorientation - in altering the audience’s assumptions about Nazis and World War II by bringing to a life a world where the war ended much differently. The first season of “ The Man in the High Castle,” Amazon’s television adaptation of Philip K.